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	<title>Léa Noël - OVERDUE</title>
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		<title>F‑utility: What the Humble Belt Teaches us About&#160;Anti-fashion</title>
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		<dc:creator><![CDATA[Léa Noël]]></dc:creator>
		<pubDate>Wed, 07 Aug 2024 21:06:51 +0000</pubDate>
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					<description><![CDATA[For a long time, the belt was, in fact, not fashion at all, and — in a world where avant garde has had its way with most — the lonely belt sat, coiled, I’d sooner like to think, as a last ballast of purity and dwindling lamplight of ‘seriousness’. Yet, fashion and its culture has, in recent years, made so intent its feud with functionality and beauty that, it may come as no great shock, the belt’s coiled peace was to be perturbed.]]></description>
		
		
		
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		<title>Adorning Film: How Fashion Is Its Own Character in Federico Fellini’s La Dolce&#160;Vita</title>
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		<dc:creator><![CDATA[Léa Noël]]></dc:creator>
		<pubDate>Wed, 28 Feb 2024 22:23:57 +0000</pubDate>
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					<description><![CDATA[Fellini’s La Dolce Vita remains, nearly 70 years after its release, a Pandora’s Box to art’s account for human desire.]]></description>
		
		
		
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