LFW SS24 Roundup

Lon­don Fash­ion Week Spring/Summer 2024 took place 14th-21st of Sep­tem­ber. Whether they are mak­ing their LFW debut or estab­lished, here are fif­teen design­ers that stood out.

Jun­yang

Jun­yang Unveils “Dream in the Gar­den” Col­lec­tion at Lon­don Fash­ion WeekEsteemed fash­ion design­er Jun­yang­made a strik­ing debut at Lon­don Fash­ion Week with an exquis­ite pre­sen­ta­tion of the lat­est col­lec­tion, apt­ly named “Dream in the Gar­den.” The high­ly antic­i­pat­ed show­case will cap­ti­vate with its fusion of tra­di­tion­al Chi­nese aes­thet­ics and mod­ern design sen­si­bil­i­ties, mark­ing a sig­nif­i­cant con­tri­bu­tion to the ongo­ing evo­lu­tion of the fash­ion industry.Inspired by the enchant­i­ng allure of tra­di­tion­al Chi­nese gar­dens and the time­less ele­gance of clas­si­cal Ori­en­tal women, the 24SS series by Jun­yang encap­su­late­sa dream­like jour­ney into a world of beau­ty and har­mo­ny. The col­lec­tion paints a vivid tapes­try of del­i­cate­ly woven flo­rals and intri­cate blue and white porce­lain motifs, evok­ing a sense of seren­i­ty and nostalgia.

13DE MARZO

Esteemed fash­ion brand, 13DE MARZO, is set to debut its high­ly antic­i­pat­ed Spring/Summer 2024 col­lec­tion at Lon­don Fash­ion Week. The col­lec­tion, titled “Reflec­tions of Inno­va­tions,” art­ful­ly merges tech­nol­o­gy, sus­tain­abil­i­ty, and inclu­siv­i­ty, mark­ing a piv­otal moment in the brand’s evo­lu­tion. Inspired by its core DNA, the 13DE MARZO Spring/Summer 2024 col­lec­tion ele­gant­ly fus­es intri­cate details and cut­ting-edge tech­nolo­gies, redefin­ing fash­ion’s artis­ti­crealm. The col­lec­tion reimag­ines every­day ele­ments through inno­v­a­tive crafts­man­ship, result­ng in a unique blend of beau­ty and innovation.

The col­lec­tion encom­pass­es a bold use of lumi­nes­cent and biotech­nol­o­gy fab­rics, embed­ding a dynam­ic, futur­is­tic aes­thet­ic while embody­ing sus­tain­abil­i­ty and inno­va­tion principles. 

Jayne Pierson 

Renowned Fash­ion Design­er JAYNE PIERSON Unveils Ground­break­ing Col­lec­tion at Lon­don Fash­ion Week, In col­lab­o­ra­tion with 3D Print­ing Inno­va­tors Stratasys. 

Cel­e­brat­ed fash­ion design­er JAYNE PIERSON cap­ti­vat­ed the audi­ence at Lon­don Fash­ion Week with her lat­est col­lec­tion encom­pass­ing a blend of Celtic mythol­o­gy, sus­tain­able fash­ion, and cut­ting-edge direct-to-tex­tile 3D print­ing tech­nol­o­gy from Strata­sys. In a spec­tac­u­lar show­case of cre­ativ­i­ty and inno­va­tion, this col­lec­tion not only pushed the bound­aries of fash­ion but also under­scored the impor­tance of sus­tain­abil­i­ty and eth­i­cal prac­tices in the indus­try. The Cerid­wen col­lec­tion, inspired by Celtic mythol­o­gy and the Mabino­gion, offered a glimpse into a world of enchant­ment and trans­for­ma­tion. At its heart lies the char­ac­ter of Cerid­wen, a shape-shift­ing enchantress and the Celtic god­dess of rebirth, trans­for­ma­tion, and inspi­ra­tion. PIER­SON­’s col­lec­tion beau­ti­ful­ly weaves togeth­er ele­ments of myth, folk­lore, and his­to­ry, redefin­ing fash­ion as a medi­um for sto­ry­telling. Deep root­ed in inspi­ra­tion, the col­lec­tion exud­ed organ­ic shapes, nature, cul­mi­nat­ed in a range of iri­des­cent com­po­nents that served as amulets, adorn­ing the gar­ments and empow­er­ing the wearers. 

Shux­u­an G

SHUXUAN G., the epony­mous label of a vision­ary design­er, has been mak­ing waves in the fash­ion world since its estab­lish­ment in 2018. With a unique blend of mod­ern min­i­mal­ism and ori­en­tal aes­thet­ics, the brand is at the fore­front of redefin­ing style, resort wear, and wom­en’s empow­er­ment. Found­ed in the vibrant city of Shang­hai, SHUXUAN G. is the embod­i­ment of ele­gance meet­ing free­dom. The design­er’s exper­tise lies in seam­less­ly fus­ing mod­ern min­i­mal­ism with the time­less beau­ty of ori­en­tal aes­thet­ics. The brand’s dis­tinct resort style and orig­i­nal design phi­los­o­phy encap­su­late a new con­cept of life for women: “break the lim­i­ta­tion, bloom­ing beau­ty at will.” 

At the heart of SHUXUAN G.‘s allure is the inge­nious inte­gra­tion of swimwear ele­ments into its ready-to- wear col­lec­tions and dress­es. This fusion embraces retro-fem­i­nin­i­ty, a nat­ur­al and spon­ta­neous approach that res­onates with the brand’s ethos. With an exten­sive range of col­lec­tions, includ­ing dress­es, ready-to- wear, swimwear, and hats, SHUXUAN G. caters to the diverse dimen­sions of mod­ern wom­en’s lives. 

Prophetik

The new col­lec­tion, titled “Let them be Naked”, is based on the idea it is best to be naked than clothed in harm­ful syn­thet­ics. A call back to nature..stripping back down to the nude. Infused with the Celtic & Picts spir­it in the Cotswolds with the Native Amer­i­can Her­itage of TN Mr. Gar­ner. Garner’s vivac­i­ty and his com­mit­ment to cre­at­ing dis­tinc­tive, sus­tain­able, plant based fash­ion is a reflec­tion of his envi­ron­ment. Born in the Civ­il War town of Franklin, Ten­nessee, and raised on a horse farm, Gar­ner grew with a con­nect­ed­ness to nature and a peace­ful under­stand­ing of the world. Cur­rent­ly resid­ing part-time in North Cotswolds, he is direct­ing a doc­u­men­tary on the tox­ins in fash­ion and the health impli­ca­tions called ‘Let them be naked’ with the Robert Red­ford Foun­da­tion and Suzy Amis Cameron. Jour­ney with Jeff as he uncov­ers the fash­ion industry’s dirty secrets and explores inno­v­a­tive sus­tain­able solu­tions for con­scious, non-tox­ic cloth­ing, and rad­i­cal con­sumer trans­paren­cy. The show was filmed for the pur­pose of the doc­u­men­tary. Watch the teas­er here.

Pam Hogg

Dr. Pam Hogg, an icon­ic British fash­ion design­er, embod­ies the spir­it of a roman­tic, rebel, and rock­star. Her jour­ney began in Glas­gow, where she refined her craft at the School of Art, even­tu­al­ly grac­ing the stages of Lon­don Fash­ion Week, the wardrobes of stars like Kate Moss and Lady Gaga, and the walls of pres­ti­gious art gal­leries around the world. Known as the “Cale­don­ian Queen of Cling,” she defied fash­ion norms with provoca­tive­ly punk and orig­i­nal designs using coun­ter­cul­ture mate­ri­als like PVC and leather-infused jer­seys with leather, gold lurex, sheer mesh, and metallics, many of which she has been repur­pos­ing for over two decades.

Ded­i­cat­ed to the late Sinead O’Connor, the col­lec­tion was inspired by a strik­ing vision of O’Connor endur­ing a fate sim­i­lar to that of Joan of Arc, fac­ing exe­cu­tion by burn­ing at the stake. As Pam embarked on “Apoc­a­lypse,” a theme res­onat­ing with the world’s cur­rent state, thoughts of O’Connor per­sist­ed. The shock­ing news of her untime­ly pass­ing abrupt­ly refo­cused Pam’s atten­tion once more. Sinead’s ren­di­tion of “Trou­ble of The World” became a focal point of deep emo­tion and prompt­ed Pam’s choos­ing of her voice as the open­ing for the show—a voice that will even­tu­al­ly be heard and understood.

Pao­lo Carzana

Pao­lo Carzana is the welsh design­er behind name­sake label Pao­lo Carzana. Work­ing with plant based, recy­cled, organ­ic and repur­posed mate­ri­als, nat­ur­al dyes and hand­made con­struc­tion, Carzana’s gar­ments explore the ten­sions between strength and fragili­ty. (Pao­lo Carzana)

He’d called his col­lec­tion “My Heart Is a Riv­er for You to Bend”—one of the lines he spon­ta­neous­ly scrib­bles in sketch­books as he goes along. For the first time, he’d includ­ed womenswear—bunchy, sculp­tur­al shapes he cre­ates in 3D drap­ing ses­sions; his kind of freestyle haute cou­ture. Carzana had ded­i­cat­ed the show to the late music pro­duc­er Sophie, and to a friend of his mother’s who recent­ly passed away. Both peo­ple had a big effect on his life. “I think it’s just the idea of how much, col­lec­tive­ly, our hearts have tak­en in the last cou­ple of years. All the sort of pain and loss that we’ve just had to quick­ly wash away. But also the feel­ing that, no mat­ter how hard you’re hit, your heart remains unbro­ken, but it can be bent. And this path­way is a riv­er bend that can lead to peo­ple that sup­port you and save you”, He said. 

Words : Sarah Mow­er, Vogue

Paul Costel­loe

Paul Costel­loe — renowned for ful­ly immers­ing his audi­ence in his des­ti­na­tion of inspi­ra­tion – intro­duced the theme of the Spring/ Sum­mer 2024 cat­walk col­lec­tion with a flock of mod­els on the run­way suit­ed up in ten­nis-wor­thy attire with dain­ty rack­ets to match. This sea­son, the design­er trad­ed in high­land-inspired woollen suits and a grunge aes­thet­ic for silk print­ed frocks and light­weight tai­lor­ing. (The Indus­try of Fash­ion) Striped linens in sky blues are pre­sent­ed in roman­tic dress­es and unstruc­tured jack­ets, adorned with the Paul Costel­loe Sports crest, along with in-house fam­i­ly nar­ra­tive prints, in shades of ecru, sand and pale blues. (Fabuk Mag­a­zine)

If the sum­mer hol­i­day mes­sage wasn’t already appar­ent, this was con­firmed when a mod­el was sent down the run­way in a silk gown accom­pa­nied by a tourist-ready back­pack slung over her shoul­ders. If that wasn’t enough, Cliff Richard’s Sum­mer Hol­i­day tune sealed the deal. (The Indus­try of Fash­ion)

Uni­ver­si­ty of West­min­ster MA Menswear

Dai Yueyang

Full Met­al Dandy. Inspired by black met­al music and research­ing some of the first black met­al bands in Nor­way, met­al iconog­ra­phy and satan­ic symbolism. 

Gyu­won Baek

DIY 90s. This col­lec­tion com­bines the ideas behind mod­u­lar build­ings, sta­tionery and 90’s indie music cul­ture into a six-look cap­sule col­lec­tion. Cre­at­ed through the use of clas­sic menswear pieces includ­ing the duf­fle coat and parka.

Yuchen Yuan

Clothes of Dia­bo­lik. Yuchen Yuan was inspired by icon­ic 1960’s Ital­ian film, ‘Dan­ger : Dia­bo­lik’. Through an explo­ration of the vil­lain fig­ure in Dia­bo­lik, Yuchen played with ideas of dual­i­ty in clas­sic menswear looks com­bined with a mys­te­ri­ous muse fig­ure and notions of sex­u­al­i­ty and surrealism.

Zackary Maho­mo

RE-Rebel. Inspired by the pho­tog­ra­phy of Karl­heinz Wein­berg­er of rebel youth in 1960’s Switzer­land, Xiaona takes us on jour­ney of re-imag­ined exist­ing gar­ments. Images of work­ing-class teenagers that fused icon­ic Amer­i­can pop cul­ture — bik­er jack­ets, den­im jeans, bouf­fant hair­dos, James Dean insou­ciance — with their own idio­syn­crat­ic sen­si­bil­i­ties became Xiaona’s muse. 

Haiyang Yu

Move­ment. For Haiyang, fash­ion is free and diverse, it is uni­ty, tol­er­ance, regard­less of race, class, gen­der. Inspi­ra­tion came from study­ing the live per­for­mances of Talk­ing Heads in the 1970’s and the body limb changes pro­duced by David Byrne dur­ing the dance process. 

Nym Prompasert

Unveil­ing Iden­ti­ty. Nym Promprasert aspires to curate a fash­ion col­lec­tion that seam­less­ly blends the worlds of men’s and women’s attire, fus­ing the ele­gance of cou­ture with the touch of late 1990s grunge aesthetics. 

Randy Wong

The Can­ti­cle of the Work­er. Randy’s design phils­o­phy that fash­ion is a lan­guage and a com­mu­ni­ca­tion tool has been used to tell the for­got­ten and over­looked sto­ry of a 1930’s British worker.

Lele

Tchotchkes. Amer­i­can slang refer­ring to small shiny objects that’s only dec­o­ra­tive and not func­tion­al defines the con­cept of Lele’s col­lec­tion. Inspired by extrav­a­gant visu­als from the 1920’s, specif­i­cal­ly the pho­tog­ra­phy series ‘bright young thing’ by Cecil Beat­on, a world of self-indul­gent and extreme ele­gance, hedo­nism formed her muse. 

Jiwon Jang

An imag­i­nary school day. Jiwon Jang was born in Korea. But she spent her mid­dle school days in Japan. Her col­lec­tion offers a glimpse of both cul­tures and her ongo­ing obses­sion with uni­form. Jang believes uni­forms are refined because they are sym­bols of the group they belong to, they have a deep his­to­ry and a char­ac­ter­is­tic that does not change easily. 

Anyi Tang

The Poor in Spir­it. Anyi Tang is inspired by her upbring­ing in North­east Chi­na and the rich tapes­try of life expe­ri­ences encoun­tered there. Tang is par­tic­u­lar­ly drawn to how belief sys­tems serve as anchors for the mar­gin­alised, par­tic­u­lar­ly through Yang Yankang’s doc­u­men­ta­tion of the rur­al Chi­nese in the 1990’s. 

Ben Lord

Future Noir. Ben Lord imag­ines a grit­ty futur­is­tic cityscape, lights glis­ten­ing onto wet asphalt and chrome. 1980’s punk mag­a­zines & Bladerun­ner led him into an explo­ration of tex­tiles. With an obses­sion for sur­face qual­i­ties and a myr­i­ad of tex­tile ele­ments & arche­typ­al gar­ments are his statement.

Xinyi Liu

Cen­tu­ry Youth. Xinyi Liu’s prac­tice explores an obses­sion with nos­tal­gia through which she immers­es her­self in explor­ing mem­o­ries across eras she has not her­self expe­ri­enced. Chal­leng­ing com­plex fab­ric com­bi­na­tions, and colour match­ing is her design language. 

Yoshie

Bik­er. Bushi­do codes and Boso­zoku Japan­ese bik­er gangs were the ini­tial inspi­ra­tion for Yoshie’s col­lec­tion. These com­bined with mil­i­tary gar­ments all evoke notions of Samu­rai cul­ture which have always been an obses­sion in Yoshie’s practice. 

Xiaona Sun

RE-Rebel. Inspired by the pho­tog­ra­phy of Karl­heinz Wein­berg­er of rebel youth in 1960’s Switzer­land, Xiaona takes us on jour­ney of re-imag­ined exist­ing gar­ments. Images of work­ing-class teenagers that fused icon­ic Amer­i­can pop cul­ture — bik­er jack­ets, den­im jeans, bouf­fant hairdos

Mithri­date

MITHRIDATE’s Spring/Summer 2024 col­lec­tion delves into the themes of search­ing for inner peace and ‘The Cure’ on an ori­en­tal island; con­sid­er­ing ‘to cure’ as both the result and the process. Cre­ative Direc­tor Demon Zhang took the­mat­ic and design inspi­ra­tion from her her­itage, explor­ing con­cepts and pre­scrip­tions of tra­di­tion­al Chi­nese med­i­c­i­nal tech­niques includ­ing the key 24 dif­fer­ent heal­ing herbs, all con­cep­tu­alised into sophis­ti­cat­ed, roman­tic designs.

The col­lec­tion is flood­ed with radi­ant yel­low, sooth­ing cyan, earthy salt pink and soft jade, arranged from organ­ic and reme­di­al fab­rics such as silk, cot­ton and linen.  In keep­ing with MITHRIDATE’s dom­i­nant moth motif, this sea­son intro­duces the ghost moth. With heal­ing prop­er­ties, the moth is inter­spersed through entic­ing pat­terns, lay­ered acces­sories, hand embroi­dery and winged silhouettes.

T LABEL

T LABEL, a roman­tic wear brand, wants you to feel loved in your own skin, in your own shell. In the mod­ern storms of nature, humans are prone to alien­ation. From the spaces we inhab­it, tan­gi­ble and dig­i­tal dimen­sions to the flesh, no mat­ter where we are, it some­times feels strange. In their SS24 col­lec­tion, ‘A Shell for a Human’, T LABEL exam­ines rela­tion­ships with what hosts our spir­it, whether it’s a body or a house. What orig­i­nal­ly revokes the warmth of a pri­mor­dial womb can eas­i­ly be rein­ter­pret­ed as the oppo­site under trau­mat­ic cir­cum­stances. T LABEL looks at our con­nec­tion to the phys­i­cal with empa­thy and affec­tion, teach­ing us how to shel­ter our­selves once again. The SS24 col­lec­tion explores the idea of a shell through forms and mate­ri­als: beads sculpt­ed around the head and arms act as upper body pro­tec­tion in the form of a turtle­neck, the brand’s cult gloves wrap hands with sheer organ­za, words ‘Fash­ion Week Gives Me Anx­i­ety’ spread across the state­ment skirt. 

“The show explores the human body as a shell and what my shell means to me. After hav­ing my first anx­i­ety attack last Octo­ber before our Paris show, I found the sen­si­tiv­i­ty of our bod­ies and how pre­cious they are fas­ci­nat­ing. I want­ed to use the oppor­tu­ni­ty of show­ing this col­lec­tion to be more hon­est about what it means to be a self-fund­ed design­er in this indus­try and the finan­cial pres­sures of tak­ing part in fash­ion week with small amounts of resources.” Tay­lor-Bea Gor­don, Founder and Cre­ative Director

8ON8

The col­lec­tion titled “Peak Time For­est” includ­ed the pre­view of their up-com­ing cov­et­ed col­lab­o­ra­tion with ASICS. As of 2020 the brand embarked on a series of key col­lab­o­ra­tion includ­ing a co-launched col­lec­tion with Ital­ian menswear brand CANALI and soon to be launched 8ON8 with GAP.

8ON8 draws inspi­ra­tion from Li Gong’s roman­tic expres­sion of the past, ele­gant­ly inter­twin­ing this nos­tal­gia with his vision of a pro­ject­ed cos­mopoli­tan lifestyle. Using the present as a step­ping stone, 8ON8 cap­tures dai­ly life frag­ments of the present-self from a mul­ti­tude of var­ied per­spec­tives, con­struct­ing a dis­tinc­tive, vibrant and futur­is­tic offer­ing of urban sensibilities.

A nod to the con­tin­u­ous brand focus of retro­fu­tur­ism, the col­lec­tion explores spliced aes­thet­ic con­cepts and themes of mul­ti-scenic hybrids, root­ed in the human crav­ing to mas­ter an equi­lib­ri­um of liv­ing and being part of both urban-scape kinet­ic hubs, as well as the tran­quil­i­ty and majesty of nature. The sea­son brings to life a refined dichoto­my of ‘Peak-Time’ city moments, trans­ferred to off-map evoca­tive for­est vis­tas. It is a col­li­sion of two extreme envi­ron­ments, striv­ing for neu­tral­iza­tion of ten­sion and in-put of relaxed escapism, a future imag­ined, where peo­ple and nature com­ple­ment and con­trast to form a new con­tem­po­rary existence.

APUJAN

After a three-year hia­tus, APUJAN is return­ing to Lon­don for a phys­i­cal run­way show at Lon­don Fash­ion Week, pre­sent­ing the lat­est Spring/Summer col­lec­tion “The Case­book of Kai­ju.” APUJAN is a Lon­don-based wom­enswear label found­ed by design­er Apu Jan, debut­ing in Auntunm/Winter 2013 Lon­don Fash­ion Week. The designs are renowned for inte­grat­ing pat­tern­sand knitwear tech­niques to illus­trate themes inspired by fan­ta­sy and lit­er­a­ture. Out­side of run­way col­lec­tion, APUJAN has col­lab­o­rat­ed with var­i­ous indus­tries by utilis­es the sto­ry­telling method to con­nect with dif­fer­ent audi­ences: such as In-flight loungewear for EVA air­line, brand­ing for Kuo Yuan Ye, a tra­di­tion­al ori­en­tal pas­try com­pa­ny, the cos­tumes for the Cloud Gate Dance The­atre of Tai­wan, the series of pack­age des­gin for McDonald’s and uni­form design for SAMSUNG glob­al. 

The theme and con­cept behind “The Case­book of Kai­ju” is inspired by the eve of a mon­ster’s arrival. These mon­sters, in peo­ple’s minds, are anal­o­gous to impend­ing waves of the era, like AI or the near future, evok­ing var­i­ous emo­tions like sur­prise, fear, aston­ish­ment, and antic­i­pa­tion. On the eve of the mon­ster’s appear­ance, ele­ments sym­bol­ic of the immi­nent arrival of the mon­ster can be seen in the show, such as bar­ri­ers, ships and the ocean, forests where mon­sters dwell, tanks, news reports, inves­tiga­tive doc­u­ments, relat­ed mod­els, and the eyes of the mon­ster. Addi­tion­al­ly, there are inves­ti­ga­tors in search of the mon­ster, wear­ing uni­forms, pro­tec­tive cloth­ing, or office per­son­nel equipped with mon­ster data, all on the hunt for the creature. 

JU-NNA

JU-NNA was found­ed in 2019 by Jun Naka­mu­ra, Isti­tu­to Marango­ni fash­ion design wom­enswear grad­u­ate. The brand focus­es on fus­ing con­ven­tion­al Japan­ese tech­niques with con­tem­po­rary and mod­ern design, draw­ing inspi­ra­tion from the design­er’s pri­or work in the Japan­ese kimono indus­try and Tokyo Fash­ion. Through col­lab­o­ra­tion with Asian arti­sans, Jun incor­po­rates tra­di­tion­al Japan­ese Shi­bori into his col­lec­tions, giv­ing a time-hon­ored tra­di­tion a fresh and unique look. 

This sea­son, JU-NNA draws inspi­ra­tion from the cap­ti­vat­ing sculp­ture “Alter­nat­ing Rhythm” by Maria Bar­tus­zová and the mes­mer­iz­ing waves cre­at­ed in water on rivers, seas, and lakes. This con­cept com­bines the artis­tic essence of Lon­don’s fash­ion scene with the ele­gance and tran­quil­i­ty of Japan­ese design, result­ing in a unique fusion of cul­tur­al influ­ences, reflect­ed beau­ti­ful­ly in the nail designs made by Soukashi Team Japan (nail design­ers: CANAILL, Ate­lier ilsog­no, EVA, NOBU, Abbie, MCOUTURE, sucre). In addi­tion, unique sheer jer­sey and organ­za as well as organ­ic cot­ton and recy­cled mate­ri­als are used in this sea­son, adding a twist to the collection. 

THEO

THEO, a Ukrain­ian cre­ative-bureau focus­ing on the exper­i­men­tal out­er­wear with min­i­mal­is­tic approach to design, intro­duc­ing new Spring-Summer’24 Co-Ed called “The Col­lec­tion”. Led by Theo Dekan, the Kyiv-based cre­ative-bureau team push­es the bound­aries of gen­der and offers pow­er sil­hou­ettes with agen­der notes, all the while main­tain­ing the effort­less attrac­tive­ness of every­day cloth­ing. “The Col­lec­tion” breaks all the rules and, embrac­ing a shift in gen­der par­a­digms, tran­scends tra­di­tion­al fash­ion norms, cre­at­ing a new­ly gen­der-altered iden­ti­ty. This bold cloth­ing line main­tains a del­i­cate bal­ance between extrav­a­gance and util­i­tar­i­an­ism, offer­ing a broad spec­trum of con­tro­ver­sial styles. A mut­ed neu­tral, time­less col­or palette of “The Col­lec­tion” is paired with a vari­ety of tex­tures and bold detail­ing — decon­struct­ed jack­ets with promi­nent over­sized pock­ets and vis­i­ble metal­lic hard­ware, ultra-short dress­es with slen­der Japan seer­suck­er nylon bodices and thin straps, and “ugly” straight-cut jeans with a delib­er­ate­ly low seat line made of Japan­ese twill and dis­tressed den­im. You can watch the dig­i­tal show here.